This week, I published a visual history of steam locomotives of the nineteenth century:
Steam Locomotives: Nineteenth Century Engineering, illustrated with more than 150 images of steam engines drawn by the top engineering illustrators of the 19th century.
Already, Amazon is calling it the #1 New Release in Railroading Pictorials.
As one of my friends pointed out, in addition to being of interest to railroad and locomotive enthusiasts, it would make a great coloring book for those children and adults who love trains.
Why did I decide to write and fill this book with images of locomotives? I love trains, especially the locomotives. My family has a deep connection to railroads, since both of my grandfathers worked nearly all their lives for the B&O. My father hired on to the B&O before he went off to the Army during WWII, working as a fireman on large steam locomotives that hauled coal trains through West Virginia. My mother’s side of the family lived in Grafton, WV, one of the first major railroad towns west of the Allegheny mountains. It was an important nexus of rail transportation with a vital history during the American Civil War. When my family moved to Ohio, we lived in a town with rail lines through it with a bridge that had stood when Lincoln’s funeral train passed under it in 1865. Just up the road was Willard, one of the great rail nexus in the state. Many a time, we drove up there to pick up my grandparents who’d ridden the train from Baltimore to visit us. I can almost taste the smell of being next to a locomotive waiting to move onward as it dropped off passengers, and took on new riders going westward.
I also love illustration. I was a picture editor in my younger years, and later a professional photographer for magazines. In the later 1980s, I was an art researcher for seven years, on staff at National Geographic magazine, working with top artists. I fed them concepts, research reference, and served as the intermediary with experts in all kinds of fields, from showing the inside of the nuclear reactor at Chernobyl after it melted down, to a cutaway of the USS Macon airship, to what it looked like on the deck of CSS Alabama during its fatal battle during the American Civil War. After that, I served as a researcher for the top editors of the magazine, working on advance concepts, sussing out possibilities for the magazine thorough coverage.
I hope my readers enjoy my new locomotive book as much as I enjoyed working on it. It was a labor of love, and as I say in my book, it acknowledges the importance of the illustrators who created most of the images that appear in the book. – David W. Wooddell, Baltimore, Maryland
I’ve been working on a history of the steam tugs Baltimore for several years now. It’s been rough sledding in many ways. I’m still working at it, but presently I’ve taken the book manuscript apart, and I’m trying to compress the book into an article to submit to a historical journal. Whether that will work remains to be seen. Compression is a good way to discover one’s problems in a work, however. I’ve come to recognize the book manuscript should be reorganized. If that improves the end result, then it is worthwhile.
I’m sorry to say that I feel pressed to get the article, and book published because the steam tug Baltimore is in such sorry shape that her days are numbered. She will never sail or steam again; she lacks Coast Guard certification, and isn’t likely to receive that again. The Baltimore could perhaps be lifted out of the water and moved to land, if she had the right kind of experts to do that for her, but even that seems to be beyond the Baltimore Museum of Industry to organize and carry out. The museum has good volunteers, but it takes money for materials, and to hire experts to get things done. The volunteers can’t do it all out of their own pockets.
I’d like to at least publish my history of the Baltimore, and her predecessor before she finally sinks into the mud at her dock.
Progress continues here at the word farm as I write the profiles to be included in a the “Steam Tug Baltimore” book (not the exact title). Historic research can be a lot of fun, as well as a lot of intense work in archives and libraries, not to mention hours and hours in front of one’s computer.
Recently I had the pleasure of finding some very good material at the Maryland Historical Society library about two of the gentlemen engineers of Baltimore, James Murray and Henry R. Hazlehurst. They were partners in the firm Murray & Hazlehurst that built the steam tug “Baltimore” for the city of Baltimore in 1857.
You never know what you might find while poking around in history. Henry R. Hazlehurst was a descendent of an important American family from Philadelphia and New Jersey. His ancestors backed and signed currency that supported the Continental Army during the American revolution. And they also paid for some of the first vessels for the Continental Navy, small as it was back then. How cool is that?
Doing this type of archival research is slow, however, and may account for the slowness of my writing. I’ve put myself under pressure to finish the profiles, and all of the other editorial parts of the book in time for History4All Publishing to publish it this summer. It’s been a project I’ve been working on for the past five years. I want to exhibit and sell copies of the book at the Baltimore Book Festival in Sept 23, 2017. I’ll also be selling copies of my history of the 31st Virginia, “Hoffman’s Army.”
Many years ago, I attended a concert of Jay Unger and Molly Mason, fiddle and guitar players. They passed out 4×6 prints of the dots (the sheet music) for Ashoken Farewell. It had been missing for years in my stuff, but this week I came across it tucked safely in a civil war history book I had chosen somewhat at random to file it in for protection. I’m preparing to sell my civil war books, and have been looking through them one last time to make a record of them.
I won’t post the scan of the dots – they are copyrighted, and I don’t have Jay Unger’s permission, but the YouTub is lovely.
It has always been a sad song for me. It is a lament. A farewell, and a sorrow. I wish we could say goodby to sorrow, but that has not been the case this week.
I thought this might be reflective for those who play, and the rest of you, go listen to it on YouTube.
Some years ago, when I worked for National Geographic magazine, I was assigned to do pre-research for a fun story being written by Priit Vesilind. The Steamship Republic had been found in extremely deep water by the treasure hunting company, Odyssey Marine Engineering. The ship went down in a mighty storm after the steam engine stalled. Despite the storm, most of the passengers and crew survived the shipwreck, as did the gold that she was carrying for the banks in New Orleans. One of the heroes who helped passengers survive that day was a young, Union army officer named Louis Caziarc.
I have a love of quirky people. I guess in that regard, I’m like all writers and photographers. We tend to be attracted to the ones with interesting stories. But a problem with that approach to story telling is that such people are not representative of the population at large, so one must be careful about drawing generalized conclusions from the tales of such men or women. That was a corollary of something I’d discovered when I was an art researcher for the magazine: when choosing reference photos of animals, artists tend to pick the photos that show anomalies. That is probably because the animal looks distinctive, or different, and artists, like writers, tend to appreciate the unique. Problem is, those anomalies make poor reference for the population in general. I discovered that on a story about lions in the Ngoro Ngoro crater. I had passed to the artist some photos of lions in zoos, to use as reference, but hadn’t considered that lions in zoos are an inbred population, and they do show unique, or non-representative physical traits.
As I researched the passengers on the Republic when she sank, I came across Caziarc, a young Union Army officer from Boston who was returning to the south from a long, well-deserved leave after the Civil War had ended. He was a lieutenant, and aide-de-camp of General Canby, who was in charge of the Restoration of Louisiana, South Carolina, and North Carolina.
The editorial researchers at National Geographic were responsible for writing a short article for the magazine’s website, to bring to light something extra that didn’t make it into the feature article. I chose Lt. Caziarc because he had some real depth as a person, and as a military officer in the post war years. It helped that he was credited as a genuine hero after he saved lives as the Republic sank. In that regard, he was singled out for praise. Telling his individual story was a way to shed extra light on the story of the shipwreck itself. Was he representative of Union officers who helped the restoration of government and commerce in the South despite the ravages of war? You tell me.
“Past the promenade deck I saw the entrance to the concert halls that had been packed with wounded German soldiers, and I knew that inside there must be the remains of thousands of them. I remembered what Polish Navy officers had told me after they’d investigated the wreck in late May 2004. They’d taken a good look at the sea bottom with a remotely operated vehicle and found the entire area around the wreck “covered with human remains, skulls, and bones.” – Marcin Jamkoswki, “Ghost Ship Found,”National Geographic, February 2005
Jamkowski was the Polish editor of National Geographic Poland. An adventure writer and expert diver, he brought to the magazine an amazing story about the German liner, S. S. Steuben. She was filled with 4500 (some say more) men and women, including thousands of wounded German soldiers, and more than 1,000 refugees when she was torpedoed by a Soviet submarine. Jamkowski’s eyewitness account is of finding and examining the wreck in deep water, below 150 feet.
I was the fact-checker on the article, and helped with arranging some of the firsthand accounts from survivors to be translated into English. Working on the article brought me to the stark realization of what war does to non-combatants. A very powerful visualization of the deaths during WWII, especially the civilians, is shown at the video at Omeleto: The Fallen of World War II: A Data Visualization of War and Peace.
I wrote a “Did You Know” on the three largest losses of human life in wrecks at sea. People throw a lot of statistics around. It’s always interesting to chase down what the actual numbers are, and who they represent. Because it is always about the people, from children to women and men of all ages. Along the way in my research for the article, I had read Antony Beavor’s piercing study of war crimes perpetrated against civilians as the Red Army moved westward in 1945. I expanded into the refugees that streamed, and were herded across Europe, against their wills, forced out of their traditional homes for political reasons. Some of those migrations, which were then considered the largest movements of people in history, remain a thorn in the side of countries in Eastern Europe today. The loss of the S. S. Steuben, a German passenger liner that had been converted to serve as an ambulance ship comes out of the large, forced migrations of Europe at the tail end of World War II.
David W. Wooddell, for National Geographic, February 2005
The three largest marine disasters in history were the 1945 Baltic losses of Wilhelm Gustloff, Goya, and Steuben. But how many people were on these ships? Approximately 5,200 people were on Steuben when it set sail on February 9, according to our article, and 4,500 people died when the ship sank. This is based on the eyewitness testimony of Joachim Wedekind, a German merchant marine officer who was on Steuben as a passenger and says he was involved in helping the ship’s officers estimate the number of people on board: “I counted 5,200, but we reported only 3,600 or so.” Wedekind claims they reported less than were on board because German authorities had forbidden such large evacuations.
Counterbalance that with historian Heinz Schön, who claims that a smaller total is accurate. Schön says Steuben had 2,800 injured soldiers, 800 refugees, 100 returning soldiers, 172 navy hospital crew including doctors and nurses, 12 Red Cross nurses, 64 crew for the ship’s anti-aircraft guns, 61 navy seamen, radio operators, signal men, machine operators, and administrators, and 165 navy crewmen, for a total of 4,267 people. Since 659 survivors were counted after Steuben sank, according to Schön, 3,608 died when the ship went down.
Let’s compare that to the sinking of Wilhelm Gustloff on January 30, 1945. The Gustloff’s records cite 918 naval officers and men, 173 crew, 373 women’s naval auxiliary, 162 wounded, and 4,424 refugees, for a total of 6,050 people. In 1980 a trio of British journalists studied the tragedy and reported an estimated 7,000 to 8,000 deaths on board Gustloff. But Schön, a survivor of the Gustloff tragedy, has revised the Gustloff numbers in his more recent works, based on an analysis of the movement of people conducted by a documentary film company. “When it sank,” Schön wrote to me, “there were 10,582 passengers on board. 8,956 were refugees, mainly women and children. 9,343 died when the ship sank (it took 62 minutes after the torpedo attack) and 1,239 survived.”
And Goya? One of the more reliable reports says 7,000 refugees and wounded soldiers were on board when it departed Hela, near Danzig. When Goya was hit by Soviet torpedoes and sank in four minutes, all except 183 survivors went down with the ship. And until Schön revised his figures in the late 1990s, Goya was reported to be the largest loss of life in maritime history. Now it is the second largest loss. And Steuben remains third.
—David W. Wooddell
 Beevor, Antony. The Fall of Berlin 1945. Viking, 2002.
Beevor, Antony. “They raped every German female from eight to 80.” The Guardian (May 1, 2002).
De Zayas, Alfred-Maurice. A Terrible Revenge: The Ethnic Cleansing of the East European Germans, 1944-1950. St. Martin’s Press, 1994.
Dobson, Christopher. The Cruellest Night. Arrow Books, 1980.
Schieder, Theodor (editor). The Expulsion of the German Population from the Territories East of the Oder-Neisse-Line. Federal Ministry for Expellees, Refugees, and War Victims, 1959.